Fred and Cordelia go shopping for dresses in an expensive store. Fred is excited about the ballet (see Reference #4). Although Fred is wary because they don't have money, Cordelia tells her they will return the dresses the next day. Fred asks about someone she is interested in, and Cordelia assumes she means Wesley and says they would be perfect together. Fred wants Cordelia to look good for Angel. Elsewhere the host assists Angel get his tux together, insisting Angel has romantic interests in Cordelia. Although Angel at first denies it, he gives in just as Cordelia enters in her new dress. Angel and the host are awed by her. Fred helps Gunn try on his tux, and she is speechless with how pretty he is. Wesley walks out and puts a shall on Fred. Obviously both men have eyes for Fred. Cordelia and Angel join them, as she insists she will not have a vision tonight. Cordelia clues in Wesley that the time is right for him to make the move on Fred. They arrive at the ballet, take their seats, and the show starts. Shortly Cordelia is snoring and Angel has to
wake her. Fred sits between Gunn and Wesley, and surprisingly Gunn is enjoying the show. Angel looks concerned. After the intermission the crew walk out and Angel tells them these are the same dancers he saw in 1890.
The crew try to figure out how these could be the same people Angel saw over 100 years ago (see Cool Quotes #1). Angel insists they are not vampires, he could sense that. Angel and Cordelia decide to take look back stage as Wesley, Gunn and Fred go back to watching the show (see Reference #5). Cordelia offers the security guard a bribe, but when he wants more Angel knocks him out and they go back stage (see Reference #6). They discover that the corridor back stake seems to go on forever and the door behind them disappears when they turn around. They seem to be trapped in the past. As the ballet goes on Angel and Cordelia find the stars dressing room, unchanged from years gone by. Cordelia sits down and they start to act out a love scene. They resist it somewhat but keep falling back to it. They kiss passionately.
As the dancers continue the ballet Cordelia and Angel kiss until she accidentally burns him with her cross. They make their way to the door, get out and regain their composure, although Angel has to hide his arousal from Cordelia. At Angel Investigations the host sings Connor to sleep (see Continuity #2). The host thinks he hears something, check it out and is surprised by someone. In the back of the ballet Cordelia realizes what they said when they were possessed was a clue and suggests they go back in to learn more (see Reference #7). Angel is reluctant to try this plan, but she talks him into it (see Cool Quotes #2 & Continuity #3). In the audience Wesley and Gunn are both working up the courage to attempt to hold Fred's hand when she realizes Angel and Cordelia have been gone too long. They all get up and try to find them. In the dressing room Cordelia and Angel try to recreate the scene they were
living, and it eventually
takes them over. Cordelia drops her cross. Wesley, Gunn and Fred find the body of the security guard and go backstage as strange masked laughing men watch
them from afar and inform the count. Cordelia and Angel make out, possessed again. He asks her to leave with him, but she doesn't want to. Wesley, Gunn and Fred hear Angel and Cordelia making out in the distance. Angel removes Cordelia's top and then he is jumped by a strange masked laughing man. As Wesley, Gunn and Fred home in on the sounds of the fighting another masked man comes up from behind Gunn and stabs him.
Fred knocks out the masked man who stabbed Gunn as Wesley fights yet another one with a sword. Angel and Cordelia fight a pair of masked men. Eventually Angel is able to stab the two men. Wesley is able to stab the masked man he is fighting. Fred attends Gunn's wound. She is freaked by him being injured. They make with the nice-nice, and eventually kiss, as Wesley sees them from a distance and is speechless, breaking down after he steps in another room. The count continues to watch the ballet. Angel and Cordelia find Fred and Gunn. Angel and Cordelia mention they hit a psychic hot spot in the dressing room. While they attempt to figure out what's happening Wesley appears and explains he hit a psychic hot spot too. He claims that Kurscov was a wizard who was obsessed with the ballerina, when he found her with another man he went insane and pulled her out of time. She would dance for him forever. Wesley says they might be able to get out if they overload the count's power. Just then
the dead masked men gets up, laughing and shaking, and splits into two men. Angel snaps their necks. The two bodies start to shake and laugh again. They notice that an opening to the real world opens briefly in the distance. Wesley sends Angel to try to get out a opening as the rest plan to kill as many laughing men as possible, draining the count's power. As the crew fight the masked men, Angel makes it out an opening to the real world, where he finds the ballerina waiting on the side of the stage for her part. All the other dancers are ghosts who fade on to and off of stage. She is startled to find someone new. The ballerina explains how it's all the same. The count forces her to dance Giselle over and over for him. She explains how she waited to long to leave with her lover Stefan, that she wanted to dance and now she if forced to echo the same performance again and again. As the crew continue to kill masked men Angel asks the ballerina to change the dance, do something new, that will break his hold.
She takes the stage
and dances. Suddenly she changes the dance and the count is shocked. The other players disappear and Angel jumps into the box with the count, asks where his power center is, and guesses it's the jewel he wears. Angel smashes the jewel and all the masked men disappear as the backstage changes back to it's normal modern day form. The ballerina is the only thing left. She bows to Angel and fades as well. The count protests but Angel punches him out. Back at Angel Investigations Wesley takes care of Gunn's wound. Angel approaches Cordelia about not talking about what they did together. Angel starts to make a move on Cordelia when suddenly the Groosalugg appears over Angel's shoulder and she runs to hug him. The host comes in and explains how the Groosalugg was deposed as leader of Pylea and he came looking for his true love (see Continuity #4). Angel says it's good and checks on Connor. Fred is surprised that Cordelia didn't end up with Angel, and Wesley is obviously still in pain over Fred
Angel: ''I'm sure there are other rooms that...'' Cordelia: ''All we have to do is play the scene. Get in, get out. No one gets happy.'' Angel: ''What if there is, no more talking in that scene? Look, I've been possessed by the spirits of old lovers before. Never goes well.'' Cordelia: ''Well, I've got my little cross if things get out of hand. Hey, it's awkward, but it's not us. So long as nothing is removed or, inserted it's all forgotten.'' Angel: ''It is us, Cordelia. It's you and me. Kissing you, it's... It's not something I can just...'' Cordelia: ''Oh, come on. It's not that horrible. Up to his ass in demon gore, fine! But ask him to mack on a hottie and he wigs. My champion, ladies and gentlemen.''
Go for it or I will! What a hottie Cordelia is. Listen to the quote here.
Gunn: ''You are a remarkable woman. Particularly the way you can shovel a mountain range of food into your mouth. That is some Olympian feat, that much eatin'.''
The Olympic Games were the premier athletic meeting of ancient Greece, and, in modern times, a series of international sports contests.
Gunn: ''...but you got ballet on my Mahta Hari tickets.''
This seems to be a play on the old commercials for Reeses Peanut Butter Cups where the actors say the catch phrase ''you got chocolate on my peanut butter.''
Angel: ''This is one of the premier companies in the world, and they're doing Giselle! It's their signature piece.''
Giselle is a classic tale of a peasant girl who becomes a ghost to destroy the man who betrayed her.
Fred: ''Oh. Okay. I'm very excited about tonight. I love the ballet! I mean, I haven't seen that much, but my family used to go to the Nutcracker every Christmas, and I had my first sexual dream about the Mouse King.''
The Nutcracker and the Mouse King was a story by E.T.A. Hoffman (1776-1882). It was made into a ballet by Marius Petipa (1822-1910), after which the music was written by Tchaikovsky (1840-1898) to fit Petipa's choreography, in 1891. The story follows a young girl's passage into womanhood as she falls in love with the ugly but heroic Nutcracker.
(Thanks to Melissa Evans for this information.)
Cordelia ''I'm with snoopy. The magic of the ballet, not really getting to me.''
Snoopy is character from Charles Schultz's comic strip Peanuts. Also mentioned by Willow in Passion, Willow in Helpless and Xander in The Replacement.
Cordelia: ''Check out the zeppelin.''
A zeppelin is a rigid airship having a long cylindrical body supported by internal gas cells.
Cordelia: ''You wanna wander around backstage like Spinal Tap for the next ever?''
Spinal Tap is... They have their own web site at http://www.spinaltap.com/.
Host demon: ''...and he's certainly, not thinking, of selling you to the first vampire cult that makes him a decent offer...'' The Quickening & Dad - A vampire cult tried to steal Connor.
Angel: ''What if there is no more talking in that scene? Look, I've been possessed by the spirits of old lovers before. Never goes well.'' I Only Have Eyes For You - Angel was possessed by the spirit of Grace Newman, and ended up getting shot.
Host demon: ''He just showed up. Apparently once everyone in Pylea got their freedom, the political situation got a little sketchy. The Groosalugg here got deposed and they set up some kind of people's republic. So, he came looking for his true love.'' There's No Place Like Pltrz Glrb - Angel Investigations left the dimension of Pylea in Groo's hands after freeing the slaves and toppling the power of the Covenant of Tromboli.
Special thanks to The Complete Buffy Episode Guide for
inspiration and technical help, as well as Buffy episode links and all the
readers of the
Watcher's Diary for their feedback in making this page what it is.